Captain lame-o

There are a gazillion things I want/need to attend this week that become more and more fleeting as the deadline for being totally packed nears. If you’re in Oklahoma City, please consider attending one or more events on my wish list:

Rose Party at The Wedge on Western
580867268

Delicious pizza and antipasto, best patio in OKC (I call it OKC’s backyard) and loads of lovely pink wine to sample. Drink pink and enjoy the summertime pastime that the French have bogarted for hundreds of years.
**Update: I caved and went to this. Was fun and the kids had a blast. There were other kids running around the “backyard” and I had to drag my sweaty-headed son out of there. You should join us next year!

Rotary Conference for District 5750 – Thursday through Saturday

Okay, this may not be for the masses, but if you’re a Rotarian in Central Oklahoma you need to pick one of the many events of this year’s district conference. Thursday night is my favorite as it is held the former OKC Museum of Art, which is now a private residence. If I can AT ALL finagle my schedule, I’m stopping by this with my kids for a quick dinner and a walk around the mansion.

K.C. Clifford’s CD Release Concerts – Friday & Saturday Night @ The Blue Door
[youtube http://www.youtube.com/watch?v=3m9pE6CaOoU&w=500&h=284]

She’s an Oklahoma treasure and a very lovely friend. These are the last shows she’s playing in Oklahoma City before Baby Broyles makes her arrival. Her new CD called The Tag Hollow Sessions is my new favorite of hers. I’ll write more on the CD later but one special thing I noticed was I think the banjo(y) was added in my honor. As KC often quips, “I’m the most exciting person I know.” 😉 Rewatching that video has convinced me I must be at one of the shows. ::sigh::

Chandler AlumniUntitled

Yes, another specialty event. I’m usually all, “Pshaw. Like I need to go hang out with people from high school on non-anniversary years,” but over the last year or two Facebook has allowed me to better know those people. Some of those people are a lot like me and I’m interested in hanging out with them over a few beers on Saturday afternoon. We may not have been besties 17 years ago, but now almost all of us are 36 and married/divorced/parents and that’s a lot to have in common. Two (possibly more) are in from out-of-state and I’m bummed to miss it. But I probably will miss it because my new house will be stacked to the ceiling with boxes, there’s a luncheon at my Rotary conference that I want to attend, my daughter will be at a late-morning laser tag birthday party, I need to go to KC’s show that night and DAMMIT, I am only one woman.

The brown bird made me fly

Because we aren’t people who let two unused hours lie idly on a Monday evening, we headed to El Reno a few weeks ago to check out a band that our friend Geoff brought to town for a Rotary fundraiser.

Brown Bird!

Brown Bird!

Here’s a general idea of what they sound like but, really, the song doesn’t do justice to what you hear when sitting before the giant, giant sound of these two people.

[bandcamp track=2163138239 bgcol=FFFFFF linkcol=4285BB size=venti]

Here’s a snip of a review of their latest album, Salt For Salt: “Recorded live to tape in Pawtucket, RI, “Salt For Salt” is the first album by Brown Bird to capture the intense energy of the duo’s live show, surging in waves that often swell into high-spirited, foot-stomping madness. David Lamb’s lyrics are as well-written as they are emotionally intelligent, thankfully avoiding the pitfalls of the wish-wash known as “modern-folk” or “singer-songwriting”. Lamb and his partner MorganEve Swain write simply, and the record is eerily sparse at times – a tambourine, a bass drum and the cello often the sole accompaniement to Lamb’s (what a name) cracked, wood-smoke voice.”

Yeah, I’d agree with that. They are folksy with an Eastern European thread weaving through a rootsy sound that is American more than anything. By the end of the performance David Lamb’s voice seized my attention in a way that had me whooping and hollaring like I was at a stadium show — and at a stadium show we were not. Apparently  Monday nights in downtown El Reno are not the hotbed attraction and it was poorly attended. I wasn’t sad that I didn’t have to share Brown Bird with a couple hundred people, though it would have been awesome for Rotary and Brown Bird to have been better compensated for their efforts. Because both efforts were outstanding.

Here’s a bit they did with MorganEve’s brother that was perhaps the most exciting thing I’ve seen this year. Wow! At the end of the video you can hear someone in the background say, “That was amazing.” That voice is my boyfriend, Clayton. The enthusiastic videographer is our friend Blake who we met through Turntable.fm and who was the person who introduced Clayton to Brown Bird.

[youtube http://www.youtube.com/watch?v=FhJ9PWJ356Y&w=560&h=315]

One more for the road that Blake filmed through some geeky, swanky app on his iPhone…

[youtube http://www.youtube.com/watch?v=V_G-KbywQDg&w=420&h=315]

Electric Blue

I woke up with a song in my head for the silliest of reasons and it isn’t worth sharing. But this is:

[youtube http://www.youtube.com/watch?v=_xYQBTwP3t0]

This is a classic, addictive 80s song. I nearly assumed it was written by Dianne Warren or some massive song catalog writer like her. Upon googling for song details, though, I’m surprised. Clayton will laugh out loud when he learns it’s co-author is John Oats.

johnoates

Which is now all I’m hearing as I listen to it for the 5th time. It’s like Hall & Oats, but without the soul/jazz element. Almost sounds like something a Journey spin off band like Bad English would have produced.

I loved Electric Blue fervently back then and I love it now. But because I was a poor kid in small town Oklahoma, I didn’t have MTV and only now am seeing the video.

EPIC.

Ida Davies, the lead singer, is rocking a mullet with super tight business in front and a beautiful flowing curly party in back. He’s wearing a nearly ankle-length black leather trench coat and a flat passion in his eyes that screams, “I am so uncomfortable filming this video.” His band mates share a similar sentiment that is far less hidden as they sort of tease each other, giggle uncomfortably and make fun of certain parts of the song. I’m impressed that the video’s director let that all stay in. My favorite piece of 80s stereotype — the saxophone solo — is in the song and prominent in the video. No 80s video would be complete without the skinny vixen wearing too much makeup, too much hair height and a spandex dress. Toward the end of the video we are treated to her back lit silhouette thrashing and twirling along a brick wall meant to look like an alley.

What’s your favorite bad 80s video?

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